Afnan Linjawi Saudi Gazette JEDDAH — “I regard the theater as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being,” Oscar Wilde. Saudi theater has been struggling to cement its presence since 1970s. Despite the slow pace of its growth, a few memorable works have left a mark on society. And the passion for theater is shared by many others. In light of this, the Saudi Arabian Society for Culture and Arts prepares for the Youth Theater Festival in August, with 11 plays competing for prizes. From highly experienced personnel to amateur start-up groups, the prospect of a culture for Saudi theater presents a few obstacles. When it comes to Saudi theater, the culture lacks the financial support and suitable infrastructure, said Badi Altamimi, former president of the theater committee in the Saudi Arabian Society for Culture and Arts. Many initiatives have risen to support the cause of Saudi theater. One of the most prominent is Hikaya theatrical production team, which has nearly five years of experience. Hikaya hopes to bring a theater that is native to its audience, relevant to its society, and empowering to its individuals. It has accomplished great success with two productions and sets out to be an example for other similar initiatives. Saudi theater is witnessing further breakthroughs as the international Fringe Festival in Edinburgh will be hosting its first Saudi contribution. The play, “Head Over Heels”, is performed, written, and directed by Dr. Maisah Mohamed Sobaihi, an assistant professor at KAU. “The theater as an art form is receding globally, but my passion for it is what made me stay in the field for over 20 years,” said Badi.
